The rule of thirds also refers to objects in motion. In this case, it is important to distinguish the object’s direction of movement: If, for example, you shoot a car going from right to left, place the car at the right third of the image, and thereby allow the viewer to see "where the car was going". This, of course, is true in most cases. On the other hand, you may wish to emphasize the car’s route or the trails it leaves behind - but usually it is costume to see the object as if it was on the move. The same applies if, for example, you wish to take a picture of a man glazing at the horizon – in this case, we would like to see in which direction he’s looking at and place him at the right third in order to emphasize it.
The picture on the right illustrates the boat at the end of its course. Notice how in this case the composition is not acceptable, since there is no "interesting story" behind the photo as it is not clear where the boat is sailing. The central picture illustrates a symmetrical composition. The left picture creates an acceptable composition: the boat is located at the lower right third of the frame, so you can also see its direction. Notice also how the symmetry in this picture doesn’t "bore the eye", but creates interest.
Do not be afraid to break the rule of thirds in any case it appears that your composition might get improved by it. Whether you’d like the effect of a symmetrical perspective, or whether it’s important to show some more objects in the frame and thus the central object "moves" to the center - that's fine.
In many cases the scene designates the necessity of breaching the rule of thirds.
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